本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

The premiere American fantasy adventure gets the Merry Marvel treatment Eisner Award-winning writer/artist Eric Shanower (Age of Bronze) teams up with fan-favorite artist Skottie Young (New X-Men) to bring L. Frank Baum's beloved classic to life When Kansas farm girl Dorothy flies away to the magical Land of Oz, she fatally flattens a Wicked Witch, liberates a living Scarecro...(展开全部)

When a huge cyclone transports the orphan Dorothy and her little dog Toto from Kansas to the Land of Oz, she fears that she will never see Aunt Em and Uncle Henry ever again.But she meets the Munchkins, and they tell her to follow the Yellow Brick Road to the Emerald City where the Wonderful Wizard of Oz will grant any wish. On the way, she meets the brainless Scarecrow, t...(展开全部)

When a huge cyclone transports the orphan Dorothy and her little dog Toto from Kansas to the Land of Oz, she fears that she will never see Aunt Em and Uncle Henry ever again.But she meets the Munchkins, and they tell her to follow the Yellow Brick Road to the Emerald City where the Wonderful Wizard of Oz will grant any wish. On the way, she meets the brainless Scarecrow, t...(展开全部)

The Princess de Montpensier by Mme. de Lafayette Introduction by Oliver C. ColtThis story was written by Madame de Lafayette and published anonymously in 1662.汇聚授权电子版权。

Once upon a time: the forgotten female fabulists whose heroines flipped the fairy tale script. People often associate fairy tales with Disney films and with the male authors from whom Disney often drew inspiration—notably Charles Perrault, the Brothers Grimm, and Hans Christian Andersen. In these portrayals, the princess is a passive, compliant figure. By contrast, The Lost Pr...(展开全部)

Once upon a time: the forgotten female fabulists whose heroines flipped the fairy tale script. People often associate fairy tales with Disney films and with the male authors from whom Disney often drew inspiration—notably Charles Perrault, the Brothers Grimm, and Hans Christian Andersen. In these portrayals, the princess is a passive, compliant figure. By contrast, The Lost Pr...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。